The Death of Music

Or at least, the death of the music industry is fort0ld in this article.  While the author perhaps overstates the case in some respects, the concerns certainly seem valid to me. And it doesn’t take the usual angle of “the kids’ music is terrible” — he comes at this from a different direction.

A good friend is in this now-suffering industry, and described the article as spot on.

There’s another effect not quite described here. In previous times — say, pre-radio — music was something you heard at home if you were lucky enough to live in a home with a piano (or guitar or fiddle, which seemed more culture-specific). When you were able to hear music professionally performed, it was a Big Deal, and memorable.

Now it is trivial; music seems to be relegated to simply the background noise of most people’s lives.  People who decades ago might have spent significant money making their high-end audio equipment as distortion-free as humanly (and technically) possible now listed to low-quality music on YouTube recordings through cheap speakers.  And even though iTunes and similar systems can deliver high-fidelity music data, the audio environment of the car, the street, or the office does not lend itself to absorbed contemplation of excellent music.

We are missing something, here, and I think it is symptomatic of larger effects.

===|==============/ Keith DeHavelle